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Discovery, BBC, Guardian, Discovery Again, Wikipedia, Independent

Romeo & Juliet

Romeo & Juliet, Wordle Cloud

Romeo & Juliet, Wordle Cloud

Apropos nothing, Wordle tagcloud for Romeo & Juliet. Click to view.

This reminds me I really need to play with Processing at some point. Too many tools, not enough time.

Still, right now I’m more concerned with getting my head round Erlang, and the new closure mechanism that’s coming in PHP 5.3 (I really, really wish they’d stop trying to shoehorn the kitchen sink in there).

Mechanical Devices

The Harmonium

The Harmonium

The Harmonium

“First, the machine will produce various sine waves for you on paper after you set values for the amplitude and phase angle. Second, in a reversal of this process, you can trace a curve and use Fourier analysis to extract the phase and amplitude of the curve. All of this is done mechanically.”

The design is an interesting amalgam – open-grain wood and Victorian brass that reminds me of the Difference Engine, mid-20th-century faux-bakelite dials that look like they’ve been salvaged from a WWII-era fire-control computer, and late-20th-century perspex.


The Curta

The Curta

The Curta

Parts of the Curta, a mechanical four-function pocket calculator capable of manipulating 15-digit numbers, were patented by Curt Herzstark in 1938. He completed the engineering plans while imprisoned in a Nazi concentration camp.

There are 605 components in that little pepper mill, but that doesn’t quite compare with the mechanical computers that stop the glass of the Hale Telescope from slumping:

First light on a large telescope is the beginning of a process of adjustment that may continue for years. Although glass is brittle, it is actually a supercooled liquid. Glass is physically similar to Jell-O. Glass can flop, tremble, and shudder. As a large mirror moves through varying angles, it buckles and droops. The Hale Telescope’s mirror is rubbery. You could push down firmly on it with your thumb and throw the stars out of focus.
[...]
Bruce Rule then tested the glass for signs of slumpage and found that the glass behaved somewhat in the manner of uncured latex rubber – when the opticians leaned the mirror at an angle, the glass would droop and not return to normal shape for quite a while. [He] extracted the mirror-support machines from their pockets in the glass and rebuilt the machines. Rule’s thirty-six mirror-support machines work passively, by means of levers and lead weights. The levers barely move, yet they exert three-dimensional forces throughout the glass, which, in places, reach stresses of up to twelve hundred pounds.
[...]
Each unit, which resembles a piston inserted in the glass, contains an uncounted number of parts. Rule said, “I think that between six hundred and one thousand parts in each unit is a reasonable number.” Since there are thirty-six mirror support units, that would mean that the Hale mirror is held up by as many as thirty-six thousand pieces of metal, most of which move, if only slightly.
[...]
The support units are, in fact, mechanical computers. They react to forces in the mirror and apply corrective action. Rule said “I never recommended that this type of system be tried again.” Virtually everybody at Caltech understands electronic computers, but nobody at Caltech understands mechanical computers, and consequently nobody dares to monkey with Bruce Rule’s support units. Since 1948, there has been one attempt to oil them. The lead weights on the units are adjustable, but nobody wants to adjust them. [The] feeling around Caltech is that anybody who tries to open Rule’s units to see what is inside will get himself fired.
[...]
Once in a while these days, the stars on the video screen turn into hollow triangles – the support units have become stuck. The astronomer turns to Juan Carrasco and says, “The mirror needs exercise.” Juan then slews the telescope from horizon to horizon, from north to south, from east to west, until the stars turn back into points. The nightmare of the engineers is that one night the stars will turn into triangles, Juan will exercise the mirror, and the triangles will get bigger.

- First Light by Richard Preston

Of course, if the Curta is either too modern for you, or perhaps not modern enough, you could always try to track down one of these hybrid oddities.


Glass Seismograph

Glass Seismograph

Seismic Glass

A working glass seismograph: “This is a functional glass seismograph for measuring earthquakes. It stands about 40″ tall, and is about 48″ wide installed. It measures vibrations along the x and y axes (side to side), as well as the z axis (up and down), on three helicorders. Ideally, it should be bolted into bedrock for accuracy”

(check out the glass spinning wheel, too)

Robotic Calligraphy

Luther Bible via Robot Arm

Luther Bible via Robot Arm

OMG OMG OMG OMG OMG. This is gorgeous. A robotic scribe. Link (via).

They really need a bunch of these working silently by candlelight for the full effect.

The choice of Luther’s Bible for this project is interesting, as its importance is due to its content (the first translation into German, akin to the King James Bible in English) rather than the technology used to print it. The obvious choice for a project that showcases printing would have been Gutenberg’s 42-line Bible, or even a genuine hand-lettered Bible… I wish I could read enough of the German to figure out what the impetus behind the project was.

Byzantine Gold

Deesis Mosaic photographed by CharlesFred

Christ Pantocrator, Hagia Sophia

Madeline tracked down a set of torrents for a documentary I regularly obsess over – John Romer’s Byzantium – The Lost Empire (episode 1, episode 2, episode 3, episode 4). Awesome stuff, but terrible copies – the series was only ever published on VHS and I think these AVIs are lifted from tape – the colour gamut is very poor, and those mosaics deserve better. I’d buy a DVD reissue in a heartbeat.

Byzantium gets overlooked in Europe; in school I learnt about “The Romans” – the guys in togas who took over in England about 40AD, built Hadrian’s Wall and some roads, and left at the end of the 4th century.

In some ways that’s a very traditional, “Decline and Fall” view of history, but at the same time I was taught in a British state school in the 80s, so social history was all – I learnt how Roman roads were made and how a legion was organised, but couldn’t name a contemporary Roman emperor if my life depended on it. Diocletian’s Tetrarchy, The Eastern Roman Empire, The Eastern Orthodox Church, and Constantinople as a seat of art and learning went completely unmentioned. When I first realised that the Roman Empire existed right up until the middle of the 15th century, almost contemporary with the Wars of the Roses, I was stunned.

Then a couple of days ago, in a classic case of serendipity (or maybe observer bias), 12 Byzantine Rulers cropped up on MeFi. I guess you could call it a podcast, but it’s really a set of lectures centred around twelve of the most important Byzantine rulers, and the quality matches the best of The Teaching Company’s output. I’m burning them out to disc and listening to an episode whenever I have half an hour completely free to concentrate.

Finally, a couple of links on the art of Byzantium: Byzantine Coinage, the Deesis Mosaic at Hagia Sophia (flickr).

(By the way, I know it looks like I’ve been lazy because so many of these links go straight to Wikipedia, but it seems that the best overviews of historical subjects tend to be found there.)